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November 4, 2022–March 26, 2023

Exhibition

Hervé Télémaque: A Hopscotch of the Mind

From the late 1950s until the present moment, Hervé Télémaque (1937-2022) has created an expansive body of work with a playful visual vocabulary, featuring abstract gestures, cartoon-like imagery, and mixed media compositions. Through paintings, drawings, collages, objects, and assemblages, he brought together striking combinations of historical and literary references with those of consumer and popular culture. Incorporating images and experiences from his daily life, the artist’s extensive body of work drew connections between the realms of interior consciousness, social experience, and the complex relationships between image and language.

Born in 1937 in Port-au-Prince, Haiti, Télémaque left for New York in 1957 entering an art scene dominated by Abstract Expressionism. In 1961, he moved permanently to Paris, associating with the Surrealists and later co-founding the Narrative Figuration movement in France with other artists. A reaction against the dominant trend towards Abstract art and the developing movement of Pop art in North America, Télémaque’s Narrative Figuration often resulted in works with a Pop sensibility that incorporated consumer objects and signs. The artist then inflected these images with an astute criticality, producing work in dialogue with current events, such as the Cold War, the Cuban missile crisis, US intervention in the Dominican Republic, and contemporary French politics.

A vehement commitment to highlighting the histories and contemporary resonances of racism, imperialism, and colonialism remained a constant throughout his career, with works that intimate the insidious ways that these structures continue to permeate our everyday lives. In later works, Télémaque referred more directly to his Haitian heritage and experience as part of the Caribbean diaspora.

This exhibition brings together works made from the late 1950s until the present day, highlighting the enduring themes of the artist’s work through his multifaceted practice. Rather than taking a chronological approach, A Hopscotch of the Mind proposes a non-linear exploration of Télémaque’s visual vocabulary, encouraging viewers to jump between media and periods, forming their own associations between the disparate fragments of his idiosyncratic narration.

Hervé Télémaque: A Hopscotch of the Mind is the first solo exhibition of Télémaque’s work in a US museum. This exhibition was presented at the Serpentine Gallery October 7, 2021 to January 30, 2022.

This exhibition is organized by Serpentine, by Joseph Constable, former Associate Exhibitions Curator, and Hans Ulrich Obrist, Artistic Director. In keeping with the Museum’s artist-centered approach, the presentation at Aspen Art Museum is curated by Joseph Constable, Hans Ulrich Obrist, and artist Helen Marten, who has reconceptualized the staging of the exhibition. Supplementary materials produced in collaboration with the Aspen Art Museum team.

A catalogue published on the occasion of the exhibition includes essays and interviews by Hervé Télémaque and Hans Ulrich Obrist, Helen Marten, Lyonel Trouillot, C.C. McKee, Françoise Vergès, and Sarah Wilson.

About Hervé Télémaque 

Born in 1937 in Port-au-Prince, Haiti, Télémaque left for New York in 1957, when former president François Duvalier was elected to power to study at the Art Students League under painter Julian Edwin Levi. Entering into an art scene dominated by Abstract Expressionism, Télémaque became interested in the approaches of artists such as Arshile Gorky, Willem de Kooning, Jasper Johns, and Robert Rauschenberg, but at the same time felt limited by this early influence: “This thoroughly New York school seemed inadequate for me to express where Icame from and who I was.”

In 1961, Télémaque moved permanently to Paris, associating with the Surrealists, and later co-founding the Narrative Figuration movement in France with artistsGérald Gassiot-Talabot and Bernard Rancillac through the manifesto exhibition Mythologies quotidiennes at the Musée d’Art Moderne de la Ville de Paris in 1964. A reaction against the dominant trend towards abstract art and the developing movement of Pop Art in North America, Télémaque’s Narrative Figuration often results in works with a Pop sensibility that incorporate consumer objects and signs. His painting No Title (The Ugly American), 1962/64, was included in the reinstallation of MoMA’s permanent collection as part of the museum’s reopening in 2019 following a renovation and expansion.

By tracing the arc of his career from the 1950s onwards and unravelling these multilayered and complex works, the exhibition reveals the relevance and resonance of his practice to our current moment. Through their cartoon-like style and fluid approach to medium, Télémaque’s works utilize playful metonymies for the pervasive structures that continue to underpin our lives, making his work as pertinent to current artistic discourses as it is to challenging the political and art-historical narratives of the past sixty years.

Throughout his career, Hervé Télémaque has created an expansive body of work with a unique visual vocabulary featuring abstract gestures, cartoon-like imagery, and mixed-media compositions. Through his paintings, drawings, collages, objects, and assemblages, Télémaque brings together striking combinations of historical and literary references with those of consumer and popular culture. Incorporating images and experiences from Télémaque’s daily life, his extensive body of work consistently draws connections between the realms of interior consciousness and social experience and the complex relationships between image and language. A vehement commitment to highlighting the histories and contemporary resonances of racism, imperialism, and colonialism has remained a constant throughout the artist’s career, often referring to his Haitian heritage and experience as part of the Caribbean diaspora.